Student Gallery

From artifacts to portraits and landscapes of the living world, explore student artwork to encourage meaningful conversations in the classroom. Learn how to use the gallery.

Use Image Analysis Activity

Romina Arredondo (age 18)

Naucalpan, Mexico

The Face of Progress

A leaf rotten from its center.
A dark stain that at its fervor steps burns.
A leaf without precedents nor relations.
I am the only witness of its existence.
And even though I don’t watch, it lives and dies.

Observant, I find the stain taking shape in its expansion.
Clouds of steam push towards the edges of the leaf
Unpainting every green brush stroke with indifference.
Agonizing, the leaf talks to me through its pattern
and its drawing has the face of progress.

Two sentences inspired the creation of my project. Linda Hogan wrote, “What a strange alchemy we have worked, turning earth around to destroy itself, using earth’s own elements to wound it.” And, Wendell Berry wrote, “The environment is in you, it’s passing through you, you’re breathing it in and out, you and every other creature.” Both statements address the arrogance and impudence of human beings who feel that they are the owner of everything and then become destroyers. The process that I carried out to embody the idea was to put an acetate with a photo of a factory on a leaf of a plant called Pothos, so that it would be printed under the sunlight.

We find so many resources in the nature environment, and instead of taking care of and thank that source of wealth, man is coldly exploiting it. Hand in hand with the above, we have built a hierarchy in which we, as humans, are above everything and that is now part of our molding, so we ignore the fact that as living beings that make up the same world, we are equal. As individuals we exclude ourselves from what we consider to be resources, and we turn them into products that unbalance the environmental order.

Dylan Mong (age 16)

California, U.S.

My artwork is a “love story” to the planet showcasing the vulnerability and hope we all have. Four eggs in a tiny nest symbolizes a new hope for life. The mother bird laid these eggs at this location due to the lack of human activity around this site. I’d like my artwork to communicate freedom and excitement to the world. The anticipation for the pandemic to be over is represented with the goal of raising new life.

Paolo Fajer (age 18)

Mexico City, Mexico

I took this photograph in 2020 at the Inbursa aquarium. My dad is a photographer and he always takes me to these kinds of places to take pictures. Most of the time they are nature photos; be it landscapes or animals. This has always helped me to connect more with a reality that has been here longer than us; it is a completely different world that we rarely value. I think about how these beings are on the margin of absolutely everything that is human and are a gift of nature. While I am alive, breathing, aware of what I am seeing, this creature is also existing in the same frequency and energy, dedicating itself to existing. Although I have no way of communicating with him or relating to him in a human way, I feel a very real connection, a love that is not human-it is natural.

The love of coexisting in this same universe, the love of appreciating its beauty and feeling the energies that surround us, it is a love story that no matter how much I am living it, it is not mine; it belongs to everyone because we all coexist and live on this planet. From a being that is not aware of its own existence to that energy that we do not understand but feel—some call it god. I do not know what to call it. I feel this every time I see the way our world works, the very organic way of simply existing and being beautiful. This is my love story with nature, with this photo and with what I don't know, but I feel love and intrigue for. My message to the world is simple: Why disturb what is calm? Why damage what is part of us? Why destroy what is perfect and why not just try to understand it? We must learn to live this love story with nature.

Ellie Knight (age 16)

North Carolina, U.S.

The world creeps up on you in the most unexpected ways sometimes. In the beginning, you may not even notice any changes, but it makes itself known pretty quickly. The excerpt written by Robert Hass inspired this photograph as a reminder that the world wasn't always like this. My photo reflects our environment from two different times, one where climate change seemed as though it wasn't an issue and one where its stark existence is hitting so close to home.

I like to show my passion for photography through seemingly basic pictures that take on a double meaning. The side with trees looks way more lively than the reflection it shows in the water.

Climate change directly influences the way autumn appears—the warmer air stunts the development of coloring within the leaves. The noticeable delay in autumn color has caused the season to become a three-day homage. Most people know about climate change, but it goes without a word, just like autumn leaves. I noticed the significance of the color yellow, which can represent a joyful, energetic mood. The problem with our society right now is that no one has that spark of energy to save our planet; we've lost our yellow. To quote Hass, it is in our best interest to "recover an elder imagination of the earth." If my photograph could be used to communicate to my peers, I would want it to say that the world around us is the only planet we get. It's our only chance at life, and we need to get back to a time when these global forces weren't so life-threatening and find the yellow within ourselves to do what we can now. If you look closely at the reflection, you can see some raindrops. Those droplets, however, make the reflection a bit blurry. This documents my feelings by expressing that environmental issues, like climate change, are still a little blurry to me. Everyone starts somewhere, and there is always room to learn. The environment is in you, and you just have to make an effort to bring it out and show the world what it really means to you.

Marguerite Baxter (age 18)

Minnesota, U.S.

I was walking down my alley, a place that I visit everyday. It was spring and the snow was melting into puddles. When I looked into the puddle, I could see a perfectly clear image of myself and my surroundings. In this moment, I understood how I was a part of the environment and Earth. The reflection of my small hand as I recognized this symbolizes my connection to the environment. Living in a city, natural and man-made beauty is intermixed. Both exist together, but not always in harmony. I believe that all of these things can be beautiful together, but they must respect one another.

This work is a love story to the planet, as I appreciate that in the tiniest puddle a whole environment can be reflected. What a beautiful and miraculous thing. I was taking a moment to see myself as a part of that environment, not separate but a part. Reaching out and placing myself in it. I loved that puddle and I loved the asphalt that looked like a million little stars. I want this work to communicate the tiny details that people so often walk by and ignore. There are truly millions of miracles around us all of the time: the perfect circles that raindrops make in puddles, the way that our bodies can heal themselves, how still water can perfectly reflect like a mirror. This earth is amazing and resilient. This recognition is the first step to understanding how to solve our problems. It starts with love. We must love our environment and recognize all of the beauty in it to become passionate protectors of it. We are not more powerful than nature. We are nature.

Gianna Gazulla (age 16)

California, U.S.

Unexpected Beauty

As quoted by Margaret Wolfe Hungerford, “beauty is in the eye of the beholder.” My photograph captures the unexpected beauty that exists within my community. It represents the significance of national parks in the United States and across the globe through the tangible aspects and genuine opportunities that they offer. These opportunities allow us as protectors of the earth to more fully form a personal connection with our planet—to be conscious about our actions and the impact that they have on the earth. My photograph was taken in Yosemite National Park, and though it doesn’t depict the popular imagery that many people associate with this national park, such as Half Dome or El Capitan, it symbolizes that beauty can reveal itself through lesser known, or unexpected, places.

It wasn’t easy to achieve this image, but the process reminded me that anything that is worthwhile isn’t easy—for example, protecting the Earth against climate change and environmental impacts. We have a responsibility to make sacrifices in order to call ourselves true stewards of the Earth, and during that process, we recognize the beauty that we are called to protect.

Lily West (age 16)

Maine, U.S.

Do you feel all the fish swimming to the surface?

"Do you feel all the fish swimming to the surface?" is a part of a small series of pieces about the beauty of and the destruction of the environment. As I learned more about the environment, I started to focus on whales and sea creatures. The ancient nature of whales is so clear in their size, the way their migratory patterns and song patterns work in communication with one another. There is something about the wisdom and knowledge of the oceans that these animals possess that would be lost if they were to go extinct, or their numbers were to drop greatly.

People have such little understanding of the ocean, which is why the whale's tail is all that is revealed. We do not, and simply cannot, know the waters to the same depth that they do. Also in the piece, there is a hawksbill turtle below the whale's tail. The beautiful pattern and colors on the back of hawksbill turtles inspired me to choose them as a species. Both of these animals have a history of endangerment. Humpback whales have made a major comeback since 1950 when their numbers dropped to 440. The current population is now around 120,000 to 150,000. In contrast, however, the hawksbill sea turtle is listed as critically endangered. They are in danger due to people hunting for their beautiful shells, among the other threats they face. The red lines are up for interpretation, but in my view, they show how much understanding of the oceans these creatures carry within them, and what it would mean for this to be lost. The beauty and wisdom of such animals are something that must not be destroyed.

Ava Pecora (age 15)

Ohio, U.S.

This painting is the embodiment of being one with the natural environment. It is supposed to illustrate that nature is beautiful in every form—from the plants and atmosphere to humans and magical creatures. The green is meant to symbolize the liveliness and tranquility of forest life. Green has many different meanings, such as calmness, safety, growth, harmony, and most importantly, the environment. The figure has a deep emotional connection with the woods and is completely immersed in the environment. The area around them is abundant with forest plants and creatures. This makes for a certainly magical universe.

Amber Cypress (age 16)

Florida, U.S.

Silence

Being Indigenous, nature has always been an important aspect of my culture. In this photograph, the subject has a handprint on her mouth, symbolizing the ignorance of others and the silence of my people. "Respect the land" was a message passed down from my ancestors for generations. The land provides, it heals, and it is beautiful. Climate change is a major issue and has been for hundreds of years. My people fought for this land and they died protecting it. We won’t be the only ones affected by this issue: the animals are at risk, too. The animals are just as important as the land itself and we need to protect both. The reservation is home to many marvelous animals such as panthers, snakes, birds, and many more. There was a pipeline that almost ran through their home, destroying their chances of survival. The Keystone Pipeline was almost completed before it was shut down due to growing concerns. The pipeline would have run 100 miles through reservations across America, destroying not only our homes, but the home of animals as well. Climate change is a problem that still needs to be talked about today, and I want to be one to spread the message. My people were silenced for long enough, and we will not stand for it anymore. I refuse to remain silent.

Nikki Honchell (age 17)

Illinois, U.S.

Haikus on nature:

The autumn has passed
Winters are growing shorter
Spring will come too soon

Beautiful winter
Leaves us sooner every year.
Will it leave for good?

Sepia roses
Dormant in the winter ice
Dead yet elegant

In all of nature
Everything is connected
We all breathe the same

I can love a rose
Like I love a neighbor
Like I love all things

Nature comforts us
Will it still be our refuge
In the years to come?

Cold flowers outside
Protected in a cone of ice
Is there warmth within?

The environment
Is a part of all of us
Take care of our world.

Grace Bonk (age 17)

Wisconsin, U.S.

My family and I were visiting the Upper Peninsula of Michigan earlier this year. My dad went to college in Houghton and my mom's family is from there, so it is a very special place for our family. In the moment captured in the picture, my dad, my little brother, and I were walking across the frozen parts of Lake Superior. From the shore, my mom was calling out to us to be careful, and my brother and I were chuckling off her warnings. We were filled with adrenaline with the possibility of the ice breaking and in awe of the beauty around us. This photograph represents the fragility of Earth's climate. Humans walk along the thin ice that is the Earth's climate—fully aware of their actions and the risk they bring—just to see how far they can push before the ice breaks for good.

Shelly Fatal (age 17)

New York, U.S.

I sought to illustrate the interconnectedness of humanity and nature by composing the human body as if it were a landscape. By highlighting organic abstract forms, I hoped to express a love story between the inner and outer worlds—how they are mirrored in each other and intertwined. By monumentalizing this organ, I hope to communicate how the outside world is not so different from the smaller ecosystems within us, and how we rely on both systems' unity to survive.

Meagen Krige (age 16)

Caledon, South Africa

My artwork is inspired by the vulnerability of animals. All over the world animals are being affected by climate change, poaching, loss of habitat, and destruction of our wonderful ecosystems. Most of these destructive forces happen because of the species called mankind. This photo was taken in South Africa at one of our famous private nature reserves, Klaserie Private Nature Reserve. Unfortunately, this poor rhino called Mandgleve faced a traumatic experience with a poacher about two years ago. In this event he got shot, but thankfully the reserve was there to help treat his wound. He is still alive to this day and is doing very well, thanks to the vets and the nature reserve that helped him, because he could not help himself. I hope one day people can all see how the animals of our planet are suffering.

Maria Isabel Guevara Beltran (age 18)

Mexico City, Mexico

We think we are superior to Mother Nature. We see nature as an accessory in our lives when we really are nature herself. Every wound we inflict on her, we are inflicting on ourselves. This artwork represents how we are nature and how we are inferior to her. Not only is she a beautiful thing to admire, she is strength, she is energy, and she is our home.

Maddox Chen (age 16)

California, U.S.

Instinct

I took this photo after seeing my cat eagerly trying to squeeze her way outside. A block of wood and a brick of marble stood in her way, both man-made obstacles. I initially found this unfortunate dilemma quite hilarious, but then I thought about what had put this cat in this situation. This house pet yearns to be outside, but she has personally never experienced what it is like to be free, roaming her natural domain. Generations of domestication have suppressed the natural instincts and freedom that her ancestors exercised routinely.

She is confined to the life that humans have molded for her. There is no escape, since there is nowhere to go. This idea of captivity is something many of us have experienced during COVID-19, including myself. Nothing is as it was. Like my cat, we were confined to our homes, with the only “nature” being a withering plant by the table that is constantly neglected. Freedom, the ability to wander in your natural habitat, is taken away. Even when things returned to “normal,” it wasn’t the same. I still wear a mask whenever I go outside, and there are still restrictions for everything. And with the horrific alterations climate change has been enacting onto the world, the fresh air and the “natural” weather we experience will eventually become a distant memory in a few years, regardless of COVID. Soon, it will feel suffocating to be stuck in a nature-lacking world slowly deteriorating to the point where it will be safer to hide in houses rather than go outside. If climate change continues at its current rate, the environment that we have known our entire lives will be another one of the past, like the one the ancestors of my cat once lived in. People will long for that ecosystem that they had once lived in, but nothing will be as it was.

Romina Arredondo (age 18)

Naucalpan, Mexico

The Face of Progress

Gianna Gazulla (age 16)

California, U.S.

Unexpected Beauty

Grace Bonk (age 17)

Wisconsin, U.S.

Dylan Mong (age 16)

California, U.S.

Lily West (age 16)

Maine, U.S.

Do you feel all the fish swimming to the surface?

Shelly Fatal (age 17)

New York, U.S.

Paolo Fajer (age 18)

Mexico City, Mexico

Ava Pecora (age 15)

Ohio, U.S.

Meagen Krige (age 16)

Caledon, South Africa

Ellie Knight (age 16)

North Carolina, U.S.

I like to show my passion for photography through seemingly basic pictures that take on a double meaning. The side with trees looks way more lively than the reflection it shows in the water.