Student Gallery

From artifacts to portraits and landscapes of the living world, explore student artwork to encourage meaningful conversations in the classroom. Learn how to use the gallery.

Use Image Analysis Activity

Romina Arredondo (age 18)

Naucalpan, Mexico

The Face of Progress

A leaf rotten from its center.
A dark stain that at its fervor steps burns.
A leaf without precedents nor relations.
I am the only witness of its existence.
And even though I don’t watch, it lives and dies.

Observant, I find the stain taking shape in its expansion.
Clouds of steam push towards the edges of the leaf
Unpainting every green brush stroke with indifference.
Agonizing, the leaf talks to me through its pattern
and its drawing has the face of progress.

Two sentences inspired the creation of my project. Linda Hogan wrote, “What a strange alchemy we have worked, turning earth around to destroy itself, using earth’s own elements to wound it.” And, Wendell Berry wrote, “The environment is in you, it’s passing through you, you’re breathing it in and out, you and every other creature.” Both statements address the arrogance and impudence of human beings who feel that they are the owner of everything and then become destroyers. The process that I carried out to embody the idea was to put an acetate with a photo of a factory on a leaf of a plant called Pothos, so that it would be printed under the sunlight.

We find so many resources in the nature environment, and instead of taking care of and thank that source of wealth, man is coldly exploiting it. Hand in hand with the above, we have built a hierarchy in which we, as humans, are above everything and that is now part of our molding, so we ignore the fact that as living beings that make up the same world, we are equal. As individuals we exclude ourselves from what we consider to be resources, and we turn them into products that unbalance the environmental order.

Dylan Mong (age 16)

California, U.S.

My artwork is a “love story” to the planet showcasing the vulnerability and hope we all have. Four eggs in a tiny nest symbolizes a new hope for life. The mother bird laid these eggs at this location due to the lack of human activity around this site. I’d like my artwork to communicate freedom and excitement to the world. The anticipation for the pandemic to be over is represented with the goal of raising new life.

Andrea Trejo (age 18)

Metepec, Mexico

La nervadura de una hoja, líneas paralelas o sin rumbo que sobresalen de su piel, se encarga de circular la savia y conectar cada rincón de la planta. Mis venas, caminos sin fin alguno por los cuales circula mi sangre, desde el corazón hasta la punta de mis dedos. Tú y yo no somos tan diferentes, nos unen líneas interminables, por lo que cuando intento escucharte lo hago como si tú fueras yo, se que un rayito de sol en la mañana te da energía para seguir todo el día y que escuchar una melodía te hace bailar, lo sé porque esas cosas hacen que se acelere mi corazón y que siga fluyendo por mis venas aquello que me mantiene con vida, y así como funciono yo, lo haces tú.

La única diferencia es que yo dependo de ti, pero tú no de mi.

The leaf rib, parallel lines with no guide to follow that bulge from its skin, is in charge of circulating the sap connecting every corner of the plant. My veins, paths with no ends that fulfill their function by taking the blood from my heart to the tip of my fingers. You and I, we are not so different at all, we are connected by unending lines. When I try to listen to you, I have in mind that you are me. I know that a sunbeam every morning gives you enough energy until the day ends and that listening to music makes you dance. I know this because these things make my heartbeat go faster and keep me alive, flowing in my veins. Just the way my body works, so does yours.

Our difference is that you can live without me, but I cannot live without you.

Isabel Mendoza (age 17)

Villa Verdun, Mexico

“I hope my grandson will always know the other beings as a source of counsel and inspiration, and listen more to butterflies than to bulldozers.” — Robin Wall Kimmerer

Navillera
Flying beautifully, like a butterfly

It's an ethereal sight, a dream-like komorebi. The clean, fresh air of the forest, along with so many wings flapping and a river-like sound, fills the space. This is one of the most beautiful moments in my life in a place where dreaming and wishing were allowed. The migratory phenomenon of the Monarch butterfly is one of the most extraordinary and mind-blowing trajectories of a living organism. Every autumn, they abandon their breeding grounds in Canada and Northern U.S. for millions to arrive in Mexico, flying far away from the cold to a place where the temperature allows them to recharge energy. When the time comes, they go north once more. Getting to the north can take between three and four generations to complete. With unique abilities of direction and navigation, they only need good temperature with sunlight, water, and trees to rest on. It's us who need to make sure they go unbothered, but we have failed to do so. The number of monarchs each day is decreasing. This is caused by the disappearance of milkweeds, in which they lay their eggs, and climate change.

When I had the opportunity to visit the butterflies in Sierra Chincua, I realized the beauty of nature and how isolated the cities are. One may think the opposite, that in the middle of the forest you are in the middle of nowhere, but that's not true. When you stand in a place full of life, you are connected with yourself and accompanied by music, stories, love, dreams ,and wonder. Listening to the living world is much simpler than you think; it comes naturally if you let yourself go. It's when you are able to open your heart and mind, realizing we are not the only ones on this planet that you are finally starting to listen. You may lose yourself between hearing and listening. To find the difference, you need to learn about the world and its organisms. You don't have to be an expert—just treat it carefully. This planet gives us the warmth of a mother and the embrace and protection we need. If she always carries us on her back, and we don't start using our legs, she will get tired and we will both fall. If we choose to listen to our destruction instead of her stories, there will be no more future for her other daughters and sons...for our daughters and sons.

Edward Bennett (age 15)

Ohio, U.S.

Life On Metal

My ecosystem has been gradually decaying. There are fewer and fewer trees standing, and buildings and bridges are taking over the habitat. My artwork documents the balance between nature and new construction, a battle that nature is sadly losing, engulfed by industrialization. My artwork communicates how nature and manmade objects coexist in the world and how there must be limits and boundaries set in place in order to protect the planet. I hope my artwork will show that we need to take immediate action to fix the world.

Gianna Gazulla (age 16)

California, U.S.

Unexpected Beauty

As quoted by Margaret Wolfe Hungerford, “beauty is in the eye of the beholder.” My photograph captures the unexpected beauty that exists within my community. It represents the significance of national parks in the United States and across the globe through the tangible aspects and genuine opportunities that they offer. These opportunities allow us as protectors of the earth to more fully form a personal connection with our planet—to be conscious about our actions and the impact that they have on the earth. My photograph was taken in Yosemite National Park, and though it doesn’t depict the popular imagery that many people associate with this national park, such as Half Dome or El Capitan, it symbolizes that beauty can reveal itself through lesser known, or unexpected, places.

It wasn’t easy to achieve this image, but the process reminded me that anything that is worthwhile isn’t easy—for example, protecting the Earth against climate change and environmental impacts. We have a responsibility to make sacrifices in order to call ourselves true stewards of the Earth, and during that process, we recognize the beauty that we are called to protect.

Lily West (age 16)

Maine, U.S.

Do you feel all the fish swimming to the surface?

"Do you feel all the fish swimming to the surface?" is a part of a small series of pieces about the beauty of and the destruction of the environment. As I learned more about the environment, I started to focus on whales and sea creatures. The ancient nature of whales is so clear in their size, the way their migratory patterns and song patterns work in communication with one another. There is something about the wisdom and knowledge of the oceans that these animals possess that would be lost if they were to go extinct, or their numbers were to drop greatly.

People have such little understanding of the ocean, which is why the whale's tail is all that is revealed. We do not, and simply cannot, know the waters to the same depth that they do. Also in the piece, there is a hawksbill turtle below the whale's tail. The beautiful pattern and colors on the back of hawksbill turtles inspired me to choose them as a species. Both of these animals have a history of endangerment. Humpback whales have made a major comeback since 1950 when their numbers dropped to 440. The current population is now around 120,000 to 150,000. In contrast, however, the hawksbill sea turtle is listed as critically endangered. They are in danger due to people hunting for their beautiful shells, among the other threats they face. The red lines are up for interpretation, but in my view, they show how much understanding of the oceans these creatures carry within them, and what it would mean for this to be lost. The beauty and wisdom of such animals are something that must not be destroyed.

Ellie Lint (age 18)

Montana, U.S.

Reciprocity is embodied by the idea that we must learn to give back to the world we take so much from. When we encounter nature every day, we take advantage of it instead of realizing all that Mother Earth gives us. On a cloudy day in May of 2020, an osprey carrying a massive trout landed on a tree branch right in front of my bedroom window. I slowly and carefully crept across my lawn up towards the base of the tree until I finally got the shot I was waiting for. In any other normal year, I would be in a concrete building sitting through a class, but Covid had put me into online school. Although Covid has taken a lot from me, I would have never had the chance to take one of the best pictures I've ever taken.

Shelly Fatal (age 17)

New York, U.S.

I sought to illustrate the interconnectedness of humanity and nature by composing the human body as if it were a landscape. By highlighting organic abstract forms, I hoped to express a love story between the inner and outer worlds—how they are mirrored in each other and intertwined. By monumentalizing this organ, I hope to communicate how the outside world is not so different from the smaller ecosystems within us, and how we rely on both systems' unity to survive.

Emily Williamson (age 17)

Christchurch, New Zealand

Everyone needs to take time to appreciate our planet a bit more. We can see the negative effects we have made to the Earth and how it tries to heal itself. I believe my relationship to the planet is a protective one. My ancestors once believed that they did not own the Earth but cared for it. Papatuanuku was the earth mother and they worshiped her. She provided them with what they needed, and they did not abuse this relationship. Today, we are greedy humans who believe we own the land and all that resides on it. We take and take but never give back. The bee in my image does the exact opposite of this. When it takes pollen from a flower, it gives some as well, providing a fair exchange. I believe our relationship with the Earth should be the same.

I would like this place in the world to be remembered for giving back to the creatures of the land and restoring what once was— an exchange to Papatuanuku for being able to reside on her own Earth.

The Earthrise image inspired me to change my perspective, not just in photography, but in my life and in decision-making as well. For this image, Earthrise inspired me to look at the world from not only someone else's point of view but from the point of view of something else. Bees work together to create and support each other and unlike humans, they are not selfish or greedy. They work individually to come together and combine their efforts. I chose this bee in particular because it worked by itself on a single flower. Despite being alone, it has a team and a hive that supports it. This mirrors the epidemic we face currently, and serves as a reminder that we may be alone working, but we are alone together. We are working as one to save lives.

My image was taken at my home. This image always reminds me that sometimes the wonders of the world are right under your nose. You just have to look. We can be content with where we live and what we have. This bee does not complain about the size of the flower or lack of pollen. It simply does what it needs to do. I should not complain about the size of my home or the lack of friends currently visiting me. My home is special to me because it is where my family is. They are the ones who support me through everything, just like how this flower supports the bee.

Grace Bonk (age 17)

Wisconsin, U.S.

My family and I were visiting the Upper Peninsula of Michigan earlier this year. My dad went to college in Houghton and my mom's family is from there, so it is a very special place for our family. In the moment captured in the picture, my dad, my little brother, and I were walking across the frozen parts of Lake Superior. From the shore, my mom was calling out to us to be careful, and my brother and I were chuckling off her warnings. We were filled with adrenaline with the possibility of the ice breaking and in awe of the beauty around us. This photograph represents the fragility of Earth's climate. Humans walk along the thin ice that is the Earth's climate—fully aware of their actions and the risk they bring—just to see how far they can push before the ice breaks for good.

Gabe Marusic (age 17)

Ohio, U.S.

Bought and Sold

Reciprocity is a two way road, and yet we have treated our Earth like a one-way highway, one in which we take everything without giving back. During the Covid-19 pandemic, I began to go on more walks as I found being in nature one of the best ways to escape from the hustle and bustle of the world. On one of these walks I found this sign and felt a strange irony in finding it in a forested area and decided to capture the emotion I felt behind it. In my photo, Bought and Sold, I try to capture the idea of how people often find they have the right to buy and sell nature to other people. I find that the harsh black and white film I used captures the raw emotion behind the ideas of this photo, as well as the natural sunset lighting that was used. The sign reads “sale pending,” implying the sale has not even happened yet, and yet the land is still being reserved rather than enjoyed by people. If we as people want to remain on this planet, maintaining a true relationship of reciprocity with the Earth is essential. When we just take from the Earth and never give back, we slowly kill the Earth. I found the following quote from Kimmerer especially relevant, “Birds, bugs, and berries are spoken of with the same respectful grammar as humans are.” It relates to the idea of nature and humans all being interconnected as one rather than being the two separate entities we paint them as. People tend to cut up and sell this planet we all share, but this is not our job. It was simply one we convinced ourselves we had.

Enora Le Moal (age 16)

United Arab Emirates

We can change our perspectives to see our planet as one home by observing animals. In an ecosystem, there are thousands of organisms which rely on each other. They work together. Unfortunately, humans tend to forget about the importance of collaboration. We are so busy thinking about our own problems that we forget how important the people around us are. With global warming, pollution, and deforestation, it is time for us to work together to make this planet a home. By seeing each other as one family, we become more aware of our actions and become more careful towards our surroundings. We need to stop putting people in boxes because we are all humans in the end.

In the film Earthrise, the Earth is described as a “blue marble.” I created this image by using a telescope from Al Wathba Wetland Reserve in Abu Dhabi, or United Arab Emirates (UAE). The black color of the telescope surrounding the image represents the infinite darkness of the universe while the lake and flamingos represent our Earth. The Earth in the Earthrise photograph is also observed from afar, which is shown in my photograph through the use of a telescope. I wanted to convey that we should admire the beauty of nature instead of trying to control it and interfere.

The UAE is important to me as a European citizen. It allows me to become more open-minded by discovering new traditions, cultures, and religions. Interacting with different people has enabled me to view the world from different angles. I want the UAE to be remembered as a country that is multicultural, and which has shown that perseverance and cooperation is the best route to success. People of diverse religions, cultures, and nationalities live in the UAE. It is a country that embraces this idea of being ‘one.’ It takes in people from all around the world and it doesn’t judge them. It accepts people no matter who they are.“The Abrahamic Family House project” (where a synagogue, church, and mosque will be built in the same location in Abu Dhabi) is a perfect example of respect and harmony between people from all backgrounds, beliefs, and nationalities.

Abigail Getty (age 17)

Illinois, U.S.

“Living beings are referred to as subjects, never as objects, and personhood is extended to all who breathe and some who don’t. I greet the silent boulder people with the same respect as I do the talkative chickadees,” writes Robin Wall Kimmerer. What happens when the world falls silent? When all falls still? Before this pandemic, we bustled and hustled through life, never looking further than our own field of vision we defined as our world. Our heads were in our phones, our gazes to the ground, untouched by life’s worst. The minute we were yanked from the routine comfort, and into the face of danger, we lost it. Each of us has become numb, terrified, scared, and more awake.

There are the trees to whisper secrets to and the water to awaken your memories, the birds to sing you awake, the frogs to sing you to sleep, the breeze to tickle your face during the day, and the fire to brighten your face in the dark of night. As humanity became isolated, we learned to cherish these things, some we may have never known. These are the fruits of life and they give themselves to us. Humankind has to remember its place in this shared beauty of the world.

Kunsh Puranik (age 18)

Lombardia, Italy

There are two sides in this photo. The right half of the image represents nature, while the left half represents humans. As seen in the image, both the human and the symbol of nature are at an equal height. This represents balance and coexistence with nature. The Covid-19 pandemic gave me time to reflect on our relationship with Mother Nature. In my opinion, it is impossible to continue living if we treat our flora and fauna with such disrespect. We must coexist with nature and a significant part of that is adjusting our lifestyles and imitating nature. In the image, the person holding the conical funnel represents an adaptation and imitation of nature [the bird]. Humans have abused the environment for too long now and it's time we show nature the same respect we show our elders. It is only through balance that prosperity will be sustained and the light of life will shine bright.

Romina Arredondo (age 18)

Naucalpan, Mexico

The Face of Progress

Gianna Gazulla (age 16)

California, U.S.

Unexpected Beauty

Grace Bonk (age 17)

Wisconsin, U.S.

Dylan Mong (age 16)

California, U.S.

Lily West (age 16)

Maine, U.S.

Do you feel all the fish swimming to the surface?

Gabe Marusic (age 17)

Ohio, U.S.

Bought and Sold

Andrea Trejo (age 18)

Metepec, Mexico

La única diferencia es que yo dependo de ti, pero tú no de mi.

Our difference is that you can live without me, but I cannot live without you.

Ellie Lint (age 18)

Montana, U.S.

Enora Le Moal (age 16)

United Arab Emirates

Isabel Mendoza (age 17)

Villa Verdun, Mexico

“I hope my grandson will always know the other beings as a source of counsel and inspiration, and listen more to butterflies than to bulldozers.” — Robin Wall Kimmerer

Navillera
Flying beautifully, like a butterfly